Monday, February 4, 2013

February 2


February 2
EVERYONE
Quieter backstage.  No one should be backstage except during the whose side are you on song
Girls shoes need to be quieter
Pay attention- as an actor, you should always be asking yourselves questions –what, who, where, when, etc.
Do not hit the curtains
People noises
Learn your lines
Change with the weather – abbey and Alyssa will have signs telling you what the weather is
Hand Olive a pamphlet before Hilton says, “I tell you, Kelly, this is the end.”
Work on singing.  I will have new scripts
Fights are beginning to look fake.
We walk differently during each kind of weather. 
At what time do the strikers become discouraged?
React visually, physically, and verbally when Nate runs off with the bag. I only heard one or two exclamations.
DO NOT ADD WORDS TO THE SCRIPT. LINES MUST BE EXACT.  YOU HAVE NOT HAD JAY BROWN AS A CONTEST MANAGER BEFORE, BUT HE DOES HAVE SOMEONE IN THE AUDIENCE WITH THE SCRIPT.
We need reactions with the train.
Does anyone’s costumes need to be fixed?
We have men’s belts.
People noises in welfare scene.
Watch straight lines.
Work on checkers scene
Work on train scene
We will rework the voting scene.  In Norma Rae which you will see today, they had a rep from the union as well as one from the company marking off names as they balloted.
STEP ON LINES!!!!!
Welfare scene -  Pick up numbers, then come back to get clipbords.  STAND UP STRAIGHT, Ladies.  Whoever is speaking needs to be seen by the audience.  All actors must adjust at the moment.  You all have different emotions. For some, they have been here before, for some like Billy, it is the first time.  We must see a gallery of emotions.
React to Graham’s dago line
PEOPLE NOIses
React to Louis and Billy’s new lines.
Mr. Hilton scene – more people noises more fakeness
People noises in all bar/union scenes
Hell – people noises
Great job, Nathan and Cheyanne – dancing in union scene and Ty working USL.
In the scene with Rose, Billy and Marie – you guys are handing out pamphlets. 
Fair days work – hand out pamphlets.
Hats off in buildings where women are present. Tip hats when you see a woman.
React when Nate runs
Nate getting hurt scene – all hit him – noise is essential
Hayden
I don’t know – work on this
Cheyanne & Nathan
Good stage work – especially dancing
Tucker
louder
Jared & Ty
You must both be in the welfare scene already so you can overhear the talk about single men getting relief.
Paige
Make each “next” different with different facial expressions
Lower child voice
Hannah and Jared
Show more emotion
Cody
Louder and meaner
Cody and Mac
Freeze in a motion that looks like you will continue to work.  Don’t face forward.
Lights
Must be perfect.   On I was a steamer, lights need to be there for the quick transition at the beginning.  As soon as you see Hannah by Paige, turn them on. Do not wait for other actors to line up.
Lights on Marie – lights off checker scene –
Light on Reg and Alice – you do it.
People noises after train.
Strikers should not be sitting.
Avery
Don’t cross in front of actors speaking – Reg and Billy
Cody
Look like a foreman – you will see a checker in Norma Rae, and your job is to be like his/hers.
Tucker
Steel mill scene – come in late with a pipe.
Savannah and Graham
We need more teasing more love in your first scene together.
Carson, Reg & Guys
When Hilton has the line about – You think you deserve to be treated better, it appears that he has your best interest at heart.  Be optimistic, then he lowers the boom.
Savannah
Enough with speeches – we must see you.   Go around with a bottle and fill people’s glasses.
Hayden and Graham
Graham is being blocked in first Hilton scene
Olive Kelly
gloves
Graham and Savannah
Great job being concerned after Nate is hurt.
Billy and Reg
Great job of consoling.
Michelle and Carson
Great job.
Billy
Last speech is too slow.

To do
No heat
Fix radio
Cigarettes
Lights for Alyssa and abbey
Pants and another shirt for Nathan
Slacks for girls
Slacks for Reagan
Names on the back of gate signs
Wet blanket for checker scene.
Pails of water
Paint dynamite
Distress Frank’s pants.



10 comments:

  1. There is a button broken off from my maternity dress(the second one I wear). I still have the button. I think the strikers are the most distressed when Nate and Billy decide to "take some action". It's the lowest part in the whole play emotionally even though it is the mini climax.

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  2. 1946 was surprisingly not the only strike in stelco's history. There are actually four strikes in the history of stelco, but the strike in 1946 was the first. The other strikes occurred in 1958, 1966, and again in 1969.

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  3. Guys lets try to get great at the parts were rough on. We only have 3 practices until our first clinic. With only three practices left we can't afford to waste anytime no matter what so guys try to get here on time. I know that we will all start getting stressed out since we have a long way to go and a short time to get there. I know I have things to workout just like everyone so lets get it smoothed out so we can do great during contest.

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  4. You guys need to start thinking about when and how your character starts to lose morale. You have been striking for months so how is this new life effected you, how has they been "derailed" from their life.

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  5. During the checkers scene, would it be good if more steelworkers than just those next to the furnace come rushing on, frantically brining the water and blanket? Or would steelworkers going down be a more common thing in which the "robots" of the steel mill would be used to and apathetic over?

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  6. My shoes need to have something on the bottom so they don't make noise.

    Lights need to be on cue! People need to sing louder and strikers must strike! And the music needs to fade out a little better.

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  7. We have to remember that we are in Canada, which is a bit more cold than good old West Texas. And, speaking of, we need some major work on freezes! Maybe a subtle sign so everyone knows to freeze at the same time, maybe?

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  8. Throughout the play, everyone needs to realize what season it is and act accordingly. Doing this will create an atmosphere and will make it seem more real.

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  9. Being quite setting up the walfare scene is important. Know what props you have and get them set up. The scene is improving. All be involved in this make poeple noise, have different emotions and dont forget it's freezing in the winter, show this.

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  10. Through each practice we must improve to be back on the "shallowater" level that Frida talked about. We must make every practicve better than the last one.

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