Olive Kelly would obviously be of Irish origin. The question of ethnicity was very important in the strike. There were many workers of Italian or eastern European origin working at Stelco at that time. They had the worst jobs and they were discriminated against. They were the strongest union supporters. There were also a number of British immigrants who worked at the plant and they were pro-company. The play mentions that but does not spend a lot of time dealing with it.
Perhaps the students should know that in American steel plants in the 1930s and 40s, workers of African origin were discriminated against. They had the the hottest and dirtiest jobs and rarely got promoted. The pattern of discrimination in Canada was a little different but fundamentally the same. This grievance played a major role in the creation of the union in Hamilton.
Fiddle music in Canada tends to be rural, and a cultural expression of people of Scottish or Irish origin. It currently is going through a great resurgence. There could well have been fiddle music on the picket line—maybe a visiting musician who supported the strike. But people in Hamilton of that era loved the big band sound. Dancing was very popular and there were big dance halls in Hamilton where steelworkers liked to take their girlfriends and wives.
From Couch - Mr. Freeman is an activist trying to make the world a better place. I had mentioned
migrant workers, and this is why he included the information about seasonal workers.
Seasonal agricultural workers are among the most exploited workers in Canada and the United States. Even today wages are terrible and the facilities at the farms are usually rudimentary bunk houses.
Canada has taken to importing agricultural workers from Mexico and Jamaica on temporary work permits. The workers are paid less than minimum wage and work under the most trying conditions. The men come and stay in Canada for upwards of 6 months and have little contact with their families.
Canadian unions have been active in these communities trying to organize the workers but not much has been achieved. To their credit the unions have brought the issues to the attention of Canadian authorities and the public, but little more than expressions of moral outrage has been achieved. The farmers have political influence and they are very resistant to change.
Steel mills are notoriously noisy. The sounds of the blast of the furnaces, the clang of steel upon steel, shouts of the men, loud machinery, safety whistles to warn the men of danger, all of this and more are part of the normal operations of mills.
In the original production of Glory Days Charles Cosins created a sound track as an overture for the play that captured the sounds of the mill. It was very effective. You would need big speakers and a good sound engineer but it would be possible to recreate something like that. There also are moments in the first act that mimic action in the mill. It would be great to have sounds of the mill overplay that action.
During the fight scenes of the strike there should be shouts and general chaos. The fights usually were gangs of men trying to stop trucks going through the picket lines or battles at night between workers and scabs. It was chaotic, noisy and violent.
Bill Freeman
www.billfreeman.ca
www.billfreeman.ca







