Thursday, January 31, 2013

January 31

Everyone
Learn lines
No clowning around
React to the weather
Hit together
Move props in character
Strike like you mean it
Act and react
Welfare office - It is cold. IF you don’t fill the form out correctly in the welfare office, you don’t eat.
Voting is in slow motion.
·         Opening -First music. During factory scene – Mac and Cody are hitting metal. Billy picks up bag and blows dust. Begins speaking. 
·         Hard work’s good for the soulhit.  Everyone freezes, but the guys going out to enter back in.
·         Everyone freezes for a second, but the guys going out to enter back in. Nate & Billy cross DSL. Everyone sets welfare scene quietly. DO NOT LOOK FOR SPIKE TAPE.  Lights off welfare. Nate: You want to get on relief, don’t you? Move into welfare scene. Nate, go into relief office from DSL. Look for Marie and Alice,  then talk. PEOPLE NOISES COMING IN. Reg & Frank should be in when Nate says that Billy is trying to get relief. ACT LIKE YOU ARE ACTUALLY IN THE OFFICE. FILL OUT FORMS. ASK A NEIGHBOR WHAT TO WRITE. Cody, Michelle, Carson come in after others
·         There’s no relief for single men. Hit
·         Gate people exit welfare scene and stand with backs to audience until after Frankie and Reggie’s scene. Gates turn around together after “I got you”
·         Wilcox gate – Hit on gate That’s all for today.  Gate people & workers disperse.PEOPLE NOISES
·         Scene 5 -CUT song. Use percussion until lines start. Men come in with lines.  You are happy to be there. Michelle, Nathan, Paige, Cheyanne, Allison work in back. At one point, Paige was the only one hitting the metal.
·         Scene 6 Frank – Got to look after yourself – men sing!
My daddy was a steel man
& I’m a Steel Man’s Son
We’ll be with you fellow workers
Until the battle's won 
work in steel mill
Michelle , Nathan, Paige, Cheyanne
Fix union hall
Allison, Hannah, Avery
·         Scene 8  First bar scene Men laugh as they come in and greet women.After I get the first round, Louis says,
I tell that son of a bitch foreman! “there’s oil all over that walkway,” an you know what he say?  He say, “you don’ like workin here, then get outta the plant.  A thousand more Dagos standin’ outside the gate.” (in this scene, women are playing cards more center stage right than center stage). Rose and Nate come in later.  As they come in, Nate says he is buying drinks.  Rose looks upset Everyone goes directly into the Mr. Hilton scene.

·         Scene 9 Mr. Hilton  scene – People noises back into bar scene. Frank, come in after others come in, and tip your hat to your friends.
·         Scene 10 Second bar scene Hit on HELL.  No song
·         Scene 11 Hit on shoulder – Hilton’s line -I expect everyone to deal with me straight from the shoulder.
·         End of scene 13 - Sing this after I move voting commences now & Keep singing until scene 14.  Guys begin and Avery continues singing while people are voting.
The Union is Behind Us
We Shall Not Be Moved
The Union is Behind Us
We Shall Not Be Moved
Just Like a Tree that’s standing by the water, we shall not be moved.
·         Scene 15 – Rose losing the job. STRIKE has NOT STARTED. This scene is in Union Hall.  Alice and Avery are handing out pamphlets.  Alice sees Reg & comes back in. Louis, Nate, and Mac are talking and smoking outside of mill.  If you have read this far, text me or email me - What your goal is for next rehearsal. Ty & Mac come out for a smoke break  & it’s getting tense until Reg comes out.
·         Scene 16 - That’s public relations, Mr. Hilton. Hit on Hilton
·         Scene 17 – plant vote(2 lines) after  Hilton says, All right.
Hit the bricks – hit on bricks
Paige & Avery are making signs .Savannah & Hannah & nathan are making sandwiches
·         Scene 18 - The Union is behind us, we shall not be moved
The union is behind us at beginning   and is sung After keep the Hamilton plant open. Nate, Billy, Reg & Hannah are striking. Hilton keeps speaking into the mic.
Ty & Cody hit 3 times
·         Scene 19 no singing. Men are playing cards.  Women are striking. When Marie comes in, men go to listen to their conversation.
·         Scene 20 - Knock it off. Mac & Cody hit 4 times.
·         Scene 22- ENSEMBLE -Solidarity forever
Men -Solidarity forever
Women – solidarity forever  Avery – the union makes us strong.
·         Scene 23 - At the end, Ty & Cody hit 5 times
·         Scene 24 No singing after Alice says, Reggie!
·         Scene 25 Which side are you on? Criss cross
·         Scene 29 The Union is Behind Us
We Could Not Be Moved
The Union is Behind Us
We Could Not Be Moved
Just Like a Tree that’s standing by the water,
we could not be moved.    UNION
Scene 1

Scene 2
Welfare  - winter
Scene 3
Welfare  - winter & Kid scene
Scene 4
Winter- Hiring
Scene 5
Spring
Scene 6
Bricks - Summer
Scene 7
Marie - Summer
Scene 8
First bar - fall
Scene 9
Mr. Hilton - fall
Scene 10
2nd Bar - winter
Scene 11
Miss Kelly - winter
Scene 12
Waitin for months - spring
Scene 13
Reg’s strike talk - spring
Scene 14
Hilton – not going to be a strike - summer
Scene 15
Rose losing jobs - summer
Scene 16
Hilton - fall
Scene 17
Plant vote - fall
Scene 18
Kelly – can’t shut them out - winter
Scene 19
Anyone seen Marie? winter
Scene 20
Rose – Your son - winter
Scene 21
Spring  Frank on Microphone
Scene 22
Spring- Walkin around - crazy
Scene 23
Summer – Billy (on Sunday)
Scene 24
Summer – Hilton (riots in the street)
Scene 25
Summer – Dynamite (August)
Scene 26
Train – fall - August
Scene 27
Kelly train - August
Scene 28
Whole city is marching - October
Scene 29
End - October



Allison
Make slap more believable
Savannah
Cross legs at ankles
Jared and Hannah
Stand closer at beginning
Nathan & Paige
Observe small children. You need to be more childlike
Avery
Be focused. Stand straight. React
You have to ACT.  React.  It is cold. IF you don’t fill the form out correctly in the welfare office, you don’t eat.
Cody
Be focused. Stay in character
Tucker
Look at how Hayden uses the Sledge hammer. It needs to be believable
Look at movies so that you can see anger in actors
Carson
Look more at the paper that Olive hands you
Ty
Bump into Jared before you put shovel around his neck. 
Jared & Ty
We need to see your relationship.
Jared
Thanks for moving wheelbarrow.  Thanks for thinking.
Graham
Dago line


Need
Red light for barrel – LED
Sweaters and coats for men
Vests
Maternity clothing

8 comments:

  1. Should Savannah & Graham's scene that's left stage have a different wash instead of the same blue we use when it's Hilton & Kelly? Just something I noticed. Strike scenes need to be more intense; that was a big, more like huge, deal to them. It was basically their jobs.

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  2. Last night was rough. We have got to step it up. Practices are very valuable time and we cannot be wasting it. Be quiet back stage and do not miss your cues. Learn lines everybody and Cole you are doing a great job with side lights.

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  3. Okay, Cole, I LOVED the purple wash and Marie and Louis' scene. It matched her dress! So pretty.

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  4. I think that we need to work on the scenes of the strike. It needs to flow more. We need to see that you are getting tired of waiting and just standing on the picket line all day.

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  5. We HAVE to get focused and take things more seriously. We all have to learn our lines, and keep working on accents! The new set up for the welfare scene is great! It flows much better, and easier to see and get around.

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  6. We only have about 5 or 6 practices until our first clinic. We have had some rough practices lately, but we have to push through and try our hardest to be productive at all practices or we won't be ready. Our play is coming along but we need to put more heart into it that is something that all judges look for in a good play.~Paige Williams

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  7. Everyone lets get our act together we were ahead but now that we're behind we need to work even harder. It would be bad if the play write thought we couldn't do it and made us do a different play. Even though it has been rough lets put in the effort and get our performance so good we'll make it all the to state.

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  8. One thing that each of us really need to do is improve on our accents. It is very hard but if we can achieve these accents it will make our play that much better. It will also add varitey to our play and give us an edge with the judges.

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